Hey There -

Just to let you know that my alter-ego, Blue Cave Studios, is running a blog post series on how to save money when going into the recording studio. I wrote an e-book based on a lecture I gave at the Indie Music Conference in November of 2010. There are 9 strategies all together and I just posted #8 entitled – Socialize Off The Clock -

Take a look  - there might be something that you can use to save a few bucks next time you’re laying down some tracks.

Click here for more info –> Blue Cave Studios

 

It’s been a while since I’ve posted something about the new CD and I blame Congress. Well, everything is Congress’s fault these days, so why not blame them for this as well?

I look back on the posts that have been about this new CD project and the funny thing is that NONE of the songs I’ve mentioned in the the previous “Diary…” posts are on the CD line-up. This album has take a turn for the dark country ballad and will probably go down in history as marking my black and blue period of songwriting. I found myself wanting to tell stories about about the things that form our chains ~ the chains that bind ~ and the heaviness of this life. Since the last post, which was on June 6, I’ve written three new songs specifically for this CD and one of those songs was inspired by the working title of the CD: Big Texas Sky.

So, where do I stand as of now? I have the first draft of the songs recorded and on a demo CD that I am listening to and will use for musicians that will come in to record specialty parts. I need to fill out the instrumentation with a pedal steel, fiddle and some piano; all of which I do not play very well. Also, I think I would hate to produce an album that had only me playing ~ a kind of musical masturbation… ewww. The biggest hurdle that I’ve crossed thus far is deciding on the track list. I did a lot of internal wrangling about how many songs I wanted to place on the album an decided that I should limit the line up and release a shorter set. The track list stands now at 7 songs: a little more than an EP, but fewer than what constitutes a modern full length album. When one looks back at the album from the vinyl era, 7-9 songs was an album!

So as a sneak preview of the CD, I will let you look at my mock-ups of the cover and the back. I will hand these over to a professional graphic artist as a starting point and hopefully they will improve upon the ideas. In the mean time, let me know what you think so far.

 

Front Panel

Back Panel

 

Some recent life shaking events have got me thinking about the song “Turn, Turn, Turn”, by the Byrds. This past month seems to have been the season for things to turn, to change, to grow and to die. It seems that it is our family’s turn to see close friends and family members pass away. We will miss them immensely. Yet in the same turn of the wheel we see new arrivals into our life as family members move to our area and new friends appear in our lives to fill the gaps left by others’ passing. God closes and opens these doors at His will and it’s up to us to either leap through to the next room or sit still.

These are the times when an artist needs to be awake, be observant, be in the moment. This is where songs are born and stories are nurtured. The world changes around us incrementally moment by moment, and it is in these times of profound change that we need to keep our wits about us and take the time to just observe. To witness. To take it all in. And then, we do what artists do – we throw life-lines to the people around us that are sitting still  – we pull them into the next room and help them see what they missed.

To everything, turn, turn, turn
There is a season, turn, turn, turn
And a time for every purpose under heaven

A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep

 

I attended a talk about crowd-funding recently with a songwriter’s group. I noticed that except for the presenter and the host, I was the only one that knew what crowd-funding was. I was also the only one in the audience that raised a hand when asked if they might be using crowd-funding in the near future. I was one of the few who asked the presenter any in-depth questions about the nature of crowd-funding (I even asked some leading questions because the presenter was leaving important facts out of his presentation). What was going on here? This was a relevant and interesting topic. Why weren’t more of the attendees participating and asking questions?

As I was driving home from the event I was mulling over some of the ideas that were discussed and I kept coming back to the fact that I was really the only person in the room (besides the host and presenter) that knew about crowd-funding and that had a background of information to draw upon in order to ask pertinent questions. This bugged me. Here we have a roomful of songwriters who could benefit from the information that is being presented, yet because the topic is so far removed from their level of information and experience, they sat there with a blank stare. It’s like these people were students in a 600 level course and they needed the 101 level introduction – everyone was lost in the info-overload.

But this blog post isn’t about crowd-funding. What I realized in thinking about the issue at hand was that most artists I meet are not well informed. They may know their craft and they may know a little about their discipline’s community, but they are not well informed about what’s really going on in the world that affects their community. They are not well informed about how they, as artists, can grow beyond their little hometown and out into the larger world. If you are an artist/singer-songwriter/performer, you need to be plugged in and informed.

So what is needed to consider oneself “informed”? How much of an artists’ day is taken up with getting the news on what’s happening in the world of indie music? I say not a lot and not too much. But just like practicing, it needs to be consistent and high quality. In this part of my blog post, I’m just going to talk about the ‘what’ and not the ‘how’.

Here is how I stay informed. And please feel free to add to this in any way because no one knows it all.

The Essentials:

Books -

Internet -

I still get two print magazines in the mail: Wired and Electronic Musician, but I read them online. I think I get them in the print form so I can get them online for free or as part of the package. For the most part my info comes from the Internet and radio sources and while it looks like a lot of reading, it really isn’t. But just like practicing, being informed needs to be consistent and high quality, so choose your sources well.

Please feel free to add to this in any way because no one knows it all and the list is ever-evolving.

In Part II, I will outline how I use these sources and how easy it is to schedule it into an artist’s day and how I use these sources to keep informed.

 

Last year I started a collaboration with a lyricist on a new song that looked promising, but after many rewrites and varying attempts at orchestration, we called it a day. Part of the problem stemmed from the lyrics not being something that I would personally sing. I had a disconnect to the story and to the verbiage. But, I liked the melody and the arrangement that I wrote, it had this bright-spookiness to it that was interesting. I hated to see it abandoned.

I let the track sit for a while and revisited it to see if I could rewrite it somehow, but the original lyrics kept getting in the way when I tried to write something new. I just decided to let it sit. I had to let it sit long enough that I would be able to “forget” the lyrics that we had written.

So recently, I was writing something about a musician who has been out on the road and is coming home, but doesn’t really remember his place in the life of the person he left. I’ve been seeing a lot of stories on the news about soldiers that have been on a tour of duty for a year and then come back to their households and have a hard time trying to fit back into the flow of everyday life. The only time it seems to work is if the person that was left behind has a lot of patience and love.

I started the lyrics and wan’t sure of the form they were taking and then I remembered that I had this finished arrangement with the expendable lyrics. The hard part was making the new lyrics fit the exisiting melody and the form. I had to replace a bunch of words that didn’t work with the rhythms; a lot of scratching my head trying to think of different ways to say the same thing and still have them rhyme.

The only thing I kept from the original lyric was the phrase — beautiful again — which, in the case of the new lyrics, became the title and the resolving feature of the story.

Moral of the story is: never throw anything out… and, revisit the bone yard every once in a while to see if there’s stuff there that might inspire you.

Let me know what you think of “Beautiful Again”. Do you re-work old material? or do you just let it die?

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Beautiful Again

Verse 1:

Heading home

After miles on the road

Called you on the telephone

To lighten my load

It’s so damed hard

To just fit back in

I forget about the pleasantries

Don’t know where to begin

PreChorus 1:

But now you welcome me back with dust on my shoes

Tired to my bones I got nothing left to lose

Chorus:

Cause you pick up all the pieces

We left on the the ground – and then

You add some love and tenderness

And you make life beautiful

Beautiful again

Verse 2:

You know my heart

I’ve been a traveling man

Singing ‘bout the lonely road

Guitar in my hand

I broke your mirror

Threw my luck on the floor

Couldn’t stand to see myself

Walking out your door

PreChorus 2:

But now you kiss me like I never told you good-bye

You hold me together and make everything alright

Chorus:

Cause you pick up all the pieces

We left on the the ground – and then

You add some love and tenderness

And you make life beautiful

Beautiful again

Bridge:

Hypnotized and mesmerized

Counting all those white lines flyin’

Underneath my wheels

I knew this wasn’t real

But now I see

Now I see

How I colored it wrong

This is where I belong

With you –

Chorus:

Cause you pick up all the pieces

We left on the the ground – and then

You add some love and tenderness

And you make life beautiful

Beautiful again