Mar 042012
 

Big Texas Sky, my new CD, is done and ready to be distributed to listeners. I love getting new music from artists I follow and from new ones I haven’t heard before. I like listening to full albums because I like albums that have an arch to them. CDs that tell a story are so much more than just the individual songs could ever be on their own.

But being a songwriter, I know that more often than not the songs on a CD were not written exclusively to be on a specific CD. At least with me, I write and write and at the end of a given time period I have this collection of songs which I then sift through to see if there is a thread holding some of them together. These will be the songs that go on an album of mine and the others will be used for live performance. I guess that I need to put together and album called ‘Unrelated Singles’ for all those songs tossed overboard at the time of selection.

The other thing I like about albums is knowing the history or story behind each song. Why did it end up o the CD? What’s the story behind the writing and production of the song? I love watching the DVD series Classic Albums where they deconstruct famous albums like ‘Dark Side of the Moon” and “Night at the Opera”, just to name a few. How and why did they do that to get that sound and emotional response? What were the tricks they used in the studio to get that guitar sound or that vocal sound? What is the true meaning behind the lyrics? Now that’s stuff that I want to know and they are not always in the liner notes (do liner notes even exist anymore?).

So starting this week I will deconstruct and fill in the background on each song. I hope you follow along get caught up in the story because that’s what artists are trying to do: tell and engaging story.

Peace

Oct 182011
 

Hey There -

Just to let you know that my alter-ego, Blue Cave Studios, is running a blog post series on how to save money when going into the recording studio. I wrote an e-book based on a lecture I gave at the Indie Music Conference in November of 2010. There are 9 strategies all together and I just posted #8 entitled – Socialize Off The Clock -

Take a look  - there might be something that you can use to save a few bucks next time you’re laying down some tracks.

Click here for more info –> Blue Cave Studios

 Posted by at 10:24 PM
Aug 062011
 

It’s been a while since I’ve posted something about the new CD and I blame Congress. Well, everything is Congress’s fault these days, so why not blame them for this as well?

I look back on the posts that have been about this new CD project and the funny thing is that NONE of the songs I’ve mentioned in the the previous “Diary…” posts are on the CD line-up. This album has take a turn for the dark country ballad and will probably go down in history as marking my black and blue period of songwriting. I found myself wanting to tell stories about about the things that form our chains ~ the chains that bind ~ and the heaviness of this life. Since the last post, which was on June 6, I’ve written three new songs specifically for this CD and one of those songs was inspired by the working title of the CD: Big Texas Sky.

So, where do I stand as of now? I have the first draft of the songs recorded and on a demo CD that I am listening to and will use for musicians that will come in to record specialty parts. I need to fill out the instrumentation with a pedal steel, fiddle and some piano; all of which I do not play very well. Also, I think I would hate to produce an album that had only me playing ~ a kind of musical masturbation… ewww. The biggest hurdle that I’ve crossed thus far is deciding on the track list. I did a lot of internal wrangling about how many songs I wanted to place on the album an decided that I should limit the line up and release a shorter set. The track list stands now at 7 songs: a little more than an EP, but fewer than what constitutes a modern full length album. When one looks back at the album from the vinyl era, 7-9 songs was an album!

So as a sneak preview of the CD, I will let you look at my mock-ups of the cover and the back. I will hand these over to a professional graphic artist as a starting point and hopefully they will improve upon the ideas. In the mean time, let me know what you think so far.

 

Front Panel

Back Panel

Jul 062011
 

Some recent life shaking events have got me thinking about the song “Turn, Turn, Turn”, by the Byrds. This past month seems to have been the season for things to turn, to change, to grow and to die. It seems that it is our family’s turn to see close friends and family members pass away. We will miss them immensely. Yet in the same turn of the wheel we see new arrivals into our life as family members move to our area and new friends appear in our lives to fill the gaps left by others’ passing. God closes and opens these doors at His will and it’s up to us to either leap through to the next room or sit still.

These are the times when an artist needs to be awake, be observant, be in the moment. This is where songs are born and stories are nurtured. The world changes around us incrementally moment by moment, and it is in these times of profound change that we need to keep our wits about us and take the time to just observe. To witness. To take it all in. And then, we do what artists do – we throw life-lines to the people around us that are sitting still  – we pull them into the next room and help them see what they missed.

To everything, turn, turn, turn
There is a season, turn, turn, turn
And a time for every purpose under heaven

A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep

 Posted by at 12:35 PM
Jun 302011
 

I attended a talk about crowd-funding recently with a songwriter’s group. I noticed that except for the presenter and the host, I was the only one that knew what crowd-funding was. I was also the only one in the audience that raised a hand when asked if they might be using crowd-funding in the near future. I was one of the few who asked the presenter any in-depth questions about the nature of crowd-funding (I even asked some leading questions because the presenter was leaving important facts out of his presentation). What was going on here? This was a relevant and interesting topic. Why weren’t more of the attendees participating and asking questions?

As I was driving home from the event I was mulling over some of the ideas that were discussed and I kept coming back to the fact that I was really the only person in the room (besides the host and presenter) that knew about crowd-funding and that had a background of information to draw upon in order to ask pertinent questions. This bugged me. Here we have a roomful of songwriters who could benefit from the information that is being presented, yet because the topic is so far removed from their level of information and experience, they sat there with a blank stare. It’s like these people were students in a 600 level course and they needed the 101 level introduction – everyone was lost in the info-overload.

But this blog post isn’t about crowd-funding. What I realized in thinking about the issue at hand was that most artists I meet are not well informed. They may know their craft and they may know a little about their discipline’s community, but they are not well informed about what’s really going on in the world that affects their community. They are not well informed about how they, as artists, can grow beyond their little hometown and out into the larger world. If you are an artist/singer-songwriter/performer, you need to be plugged in and informed.

So what is needed to consider oneself “informed”? How much of an artists’ day is taken up with getting the news on what’s happening in the world of indie music? I say not a lot and not too much. But just like practicing, it needs to be consistent and high quality. In this part of my blog post, I’m just going to talk about the ‘what’ and not the ‘how’.

Here is how I stay informed. And please feel free to add to this in any way because no one knows it all.

The Essentials:

Books -

Internet -

I still get two print magazines in the mail: Wired and Electronic Musician, but I read them online. I think I get them in the print form so I can get them online for free or as part of the package. For the most part my info comes from the Internet and radio sources and while it looks like a lot of reading, it really isn’t. But just like practicing, being informed needs to be consistent and high quality, so choose your sources well.

Please feel free to add to this in any way because no one knows it all and the list is ever-evolving.

In Part II, I will outline how I use these sources and how easy it is to schedule it into an artist’s day and how I use these sources to keep informed.