Mar 092010
 

Sometimes you just gotta write a fun song. You know — one of those songs that don’t make much sense or have a deep meaning. A song that has a good back beat or a groove and is fun to play and sing is always a good addition to any singer-songwriter’s set list.

This song was born out of the phrase: “The girls at the bar…”. I was thinking about the type of girl that comes into a bar after a day of work so she can flirt and dance and have some fun with her friends. But then also that same girl that is here night after night – gets a little dark if you think about it. These are the regulars, the ones who come in to escape the everyday grind and try to figure things out with their fellow drinkers/dancers.

And then there’s me. Where do I, the singer, fit in to all of this? I’m the guy in the corner or on a small stage singing to the lonely few. My little songs of desperation that are meant to lift the spirits of these people. Uh, right. They really just want some background sound to go along with the mood lighting. Then again, the regulars would know me (thank you Billy Joel) and they would glance up every once in a while to acknowledge a song they like.

All in all we would be in that place together sharing an experience. Trying to make sense of it night after night.

This is a first draft acoustic version. I intend to flesh it out with a band and some nifty guitar solos and a bass breakdown. But until then please let me know what you think!

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In Here

I’m sending this one out
To the girls at the bar
A simple song of love
Delivered straight from the heart
They hang out every night
Spending their hard earned wage
Laugh a little, dance a little
They never act their age
- But that’s OK – Yeah that’s alright

‘Cause in here we’re all just
Trying to forget the world outside
In here we’re all together
Trying to make sense of it all
Night after night

I’m sending this one out
To those lovers in the night
An easy backbeat groove
That makes it all feel right
They may not even know it
They may not even care
But it’s love that makes the world go ‘round
So pass some over here
- And turn it on – Yeah turn it up

Me? I’m playing to the lonely few
Playing songs of desperation
And this microphone smells like cigarettes and beer
I look out at the crowd
No one’s paying much attention
But the girls at the bar know that I’m here

I’m sending this one out
To the last ones through the door
15 minutes to closing time
And they’re asking for one more
Too early to go home
One more dance one more drink
The girls smile at me
‘Cause they know I’m gonna sing
- One more song – Nothing wrong

Feb 012010
 

Here’s a song I wrote quite recently that is giving me problems. It’s one of those songs that has certain parts that I like, but then there are also certain parts that I’m not sure fit quite well or that don’t play nice with other parts. What to do? I don’t want to just throw it out. And it’s difficult to rewrite because I’ve created this deep notch that I keep falling back into; I stray a little this way or that and I just come right back to where I began.

Let’s talk about what the lyrics say and maybe we’ll figure this out together, huh?

[The first two stanzas talk about how the singer feels that everything is against him: the world and his age. I have a food/eating metaphor going on. All's well, I like these lyrics.]

I Surrender To Your Love

Sometimes I feel
Like the world’s a hungry mouth
With an appetite
Cold and unsated

Sometimes I feel
Like I’m about to be swallowed up
Just an afterthought
Old and outdated

[Now I introduce the lover/wife/companion who will come to this guy's rescue after a long day of fighting the world and he surrenders to her love. Nice... ok I buy it.]

Then you come to me
You pick me up
You clean and dress my wounds
You whisper softly of better days
And in the pale light
Before the morning comes
I see no difference between the moon and sun
All my wars have been fought and won

Now I surrender to your love
Now I surrender to your love

[Now what happens here? Does she turn on him? She forsakes him? hmmm. But I like the way it sounds. Also he gives in to her and we get that surrender metaphor again. The music picks up a little here as well and drives along in a minor mode for a bit.]

I’m tired of carrying
The weight of this life
I’m tired of running on
The edge of a knife

Lies are forgotten
Lying underneath the truth
Your eyes have forsaken me
I fly a white flag of truce

[This guy is pitiful - He's kind of making excuses for needing to be picked up off the floor. But then again he could also be saying that he's done the best he could, he's tired of fighting and he just wants to sit on the couch and watch Sport Center.]

I’m coming home
I’ve laid down my arms
I never asked to be your hero
And in the pale light
Before the morning comes
I see no difference between the moon and sun
All my wars have been fought and won

Now I surrender to your love
Now I surrender to your love

[Here we are back to the first theme. I like these lyrics a lot. This guy is dreaming of what he really wants out of life materially and spiritually.]

Sometimes I want
Just a little more than what gets me by
A rich man’s dessert
Tasting so sweet

Sometimes I want
What a wise man holds to his heart
An hallelujah
Simple – pure – complete

[But then he comes back to who and what really props him up in life - his companion/lover.]

Then you come to me
You pick me up
You clean and dress my wounds
You whisper softly of better days
And in the pale light
Before the morning comes
I see no difference between the moon and sun
All my wars have been fought and won
Now I surrender to your love
Now I surrender to your love

Do you see what I mean? Maybe I’ll just let this ferment for a year and come back to it? I’ve been playing it at gigs and people say they like it. Take a listen and let me know what you think.

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Oct 202009
 

hiding under the covers? –

I have had two successive discussions about doing cover songs recently. The first was with my songwriter’s circle and the second was with myself as I listened to Roseanne Cash talk about her new CD “The List” on NPR’s Fresh Air. Each time I have been confronted with how difficult it is to do a cover song right. There are a lot of bands/performers that cover a song just to have it in their songbook as filler for their second set and then there are artists that cover songs because they want to perform a great song.

The discussion I had with my Songwriter’s Circle was centered around how we can take a cover and transform it. The song that we were tossing about was AC/DC’s “You Shook Me All Night Long”. That hard rockin’ song is difficult to do on acoustic guitar and have it sound like AC/DC. Well then, that’s the point: don’t allow it to sound like AC/DC. So we played it slower and with a bluegrass edge to it and man did it sound great! All of a sudden I started to really hear the lyrics and feel the intent of the song.

The discussion I had with myself as I listened to Roseanne Cash involved honesty and soul. If you’re going to sing classic country songs that everyone knows, then you had better understand your reason for singing it. How are you, the singer, going to make an audience hear this song differently from the way we are used to hearing it? Do you really understand the lyrics and can you convey the meaning to an audience that may understand them a totally different way.

I have a few covers in my working songbook that I take out every once in a while. The latest song I’ve added is “One” by U2 and I am struggling with it. First of all how do I make it mine? How do I change it up with out ruining a beautiful melody and lyric? And how do I make it travel from the first line to the last line like Bono does? And – how do I create atmosphere with my acoustic guitar the way The Edge does with his electric and a lot of delay?

In my head I had a picture of Tom Waits doing this song. What would he do? Slow it down? Be more accusatory in his tone? Speak some of the lines? I tried to approach it from this angle. I also have a lower voice than Bono does so I couldn’t do the vocal calisthenics that he does and that gave me another indication that I should think of Waits.

The more times I sung the lyrics the more I felt the real anger that was hidden between the lines. Even though Bono sings this in a ballad style, I felt that there needed to be some punch to a few of the lines so that the person being sung to (and about) really gets hit in the face with the words.

I’m still working on this One, but check out the video of me and let me know what you think. I take the covers I do very seriously and I try to find a balance between original interpretation and keeping true to the writer’s intent.

Peace

~Darryl

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Oct 022009
 

Well I knew it would come to this eventually that I would star in a music video. Well… OK, so it’s a video shot in my studio, shot on a Flip-video camera, of just me playing guitar and singing. But that’s OK because that was the point. I am creating some videos of myself performing my songs solo and at gigs. It has been pointed out on numerous occasions that I have no videos and that people want to see me in performance. Well here you go.

I edited the videos on iMovie and it was pretty easy – which is encouraging. I will let you in on one “secret” though – the audio is NOT from the Flip. I recorded the performance on my Sony PCM-d50 and then edited it on Pro Tools. Is that cheating? Yes it is! Also the first video was shot on my older video camera that uses digital tape. I wasn’t too happy with the quality so I turned it into B&W. Oh well.

Let me know what you think!

Peace

~Darryl

Aug 282009
 

I put together a reel of a few songs to demo my country-rock and country chops for a possible publisher. How to choose, how to choose? Well I decided to put it in a format that sounds a little like a set I would do live. Start out loud, get softer, get silly, get serious, rock out to end.

The first excerpt is a bit of music I did as a lead-in for a web-show: “Choose Your Words” , next is a bluegrass style song: “Where You’re Supposed to Be”, a country duet: “What About Love?”, a silly love song w/ukulele: “Fall in Love Again”, another country duet off of my CD: “I Can’t Wait for Love”, the bridge and solo section from a rocker: “My Revolution”, and to end it the last verse and outro from the title track of my CD: “She”.

There’s some variety and it shows a broad enough range I think. We’ll see. Let me know what you think.

Peace -

~DG~

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 Posted by at 10:03 PM