Dear Pen Pal,

I just got back from songwriting camp. Yes, songwriting camp… Don’t laugh, it was a blast and we had pizza and pillow fights and ghosts stories and… well maybe not ghost stories, but it was a lot of fun and man did I learn a ton of new stuff about writing good songs and making my songs even better. I’ll send you a new mp3 when I make one, OK?

First of all Pen Pal, the camp was organized by this guy named Bill Pere and his wife Kay Pere. They’re two famous people I guess, but they seemed really nice and all so it wasn’t like they were movie stars or the Jonas Brothers. You could talk to them and they talked to you too! Way cool.

I went there to get help with my lyric writing mainly. You know, lyrics are the words to songs and stuff and when I write them it feels like my head is going to explode and I get confused and my lyrics end up sounding stupid. I wanted to learn how to write more easily and with some purpose and I think I got some good ways of doing that. There sure was a lot to write down and talk about!

So you laugh about going away to a camp (or songcrafters’ retreat as Bill and Kay called it) to write songs. But actually it’s a great idea because we were really isolated from everything else – you know – school, the Mall, boyfriends, girlfriends, and we had to really concentrate on writing songs. Bill and Kay sure know their stuff too. It’s a humbling experience (and you know how humble I am Pen Pal – psyche) to play a song in front of a bunch of strangers and then, AND THEN have it dissected and analyzed. But that’s what I went there for. Mom and Dad paid good money so I could get good advice and not to have someone say – Great Job – I can get that from Grandma plus a pinch on the cheek.

The other kids at camp were great too and there was a wide range of experience there. Some kids were just writing their first songs! And there were kids like me that have been writing for a while. Weird thing was that I learned a lot from hearing the inexperienced kids’ songs. I kept thinking – Hey I do that still! Maybe I should jot down some notes! – All of the kids had wonderful talents and there were a few that knocked me out with their songs and voices. Good thing we exchanged addresses – don’t worry Pen Pal, I’ll always write to you!

Bill was a great teacher (you should check out his book Pen Pal it’s called The Songcrafters’ Coloring Book – I love coloring!) and he taught us cool ideas like prosody, semantics and phonetics. I don’t have time to explain them, so go look them up yourself or buy the book! I never really think about a lot of this stuff when I sit down to write a song and it’s probably why my head feels like it’s gonna explode when I am trying to finish a song. But I sure will use it now because it really makes sense and I hate feeling like I’m looking for something in a dark closet when I’m writing (ha that’s funny, a dark closet…).

There were some things I disagreed on with Bill. Like when he said that we should use perfect rhymes as much as possible or that songs that don’t rhyme (which I have some) are a challenge for the audience to listen to. He did add that it depended on your audience make up. Oh yeah, Bill talked a lot about personality types and how that can play into how you write your songs and how an audience digs your songs (or not…). Another thing I never really thought about – the psychology of a song.

I also got a cool vocal lesson from Kay (Bill’s wife). I think I need to go back and get her to teach me more of her stuff. I need to learn how to really make my words be understood and she had some fool-proof techniques for making the words come out right!

Anyways Pen Pal, it was a weekend well spent – new friends, new ideas, new songs to come!

As always – Keep Keepin’ It Real

DG

ps We also did some collaboration which was fun – want to do more…
pps Oh yeah – I’m a member of the CSA, no I’m not a confederate… The Connecticut Songwriter’s Association – check ‘em out!

 

~ Don’t Use It If It Doesn’t Make Sense To You

I’ve been using a capo on my guitar for what seems like forever. It’s just a tool that’s a part of my kit when I play. over the years I’ve learned to use it for more than just the obvious aspect of changing keys. I use this simple machine to half capo across the neck and to get specific sounds out of my guitar that you can’t get when you strum it open. But when I first was introduced to a capo I didn’t know what to make of it. I understood its capabilities, but not its applications. I was aware of it and when I got to a tipping point in my guitar playing, I saw the personally relevant application of the capo.

I’m beginning to see that a lot these days. I come across a new widget/doo-hickey/whatchacallit thing and while I understand the simple purpose of it, the personal application is not apparent. At least not immediately.

Let’s take this blog for example. I’ve been writing in this medium for about a year, posting songs and ideas, but prior to that I didn’t have one and didn’t really want one. I knew what blogs were and I read them and subscribed, but they didn’t have any practical personal application. But blogs were making my head crazy because I was told that as a musician I should have one. I see why, but why for me? Storm like this swirl around when we come in contact with a new medium. The storm of: You should be doing this because… fill-in-the-blank. Yikes, I have to have a blog and I don’t. I’m yesterday’s news, I’ll never succeed as a songwriter. Rats. of course that’s not true. There are millions of artists out there that don’t have blogs and they’re doing just fine. For me, it just wasn’t relevant; that is until the concept slid into place in my brain like a puzzle piece and I knew what I wanted to write about and share with you my faceless audience.

There are a lot of these storms raging out there. If you don’t have a blog-Twitter-Facebook-Reverbnation-CDBaby-website-Bebo-Flickr-flamalamadingdong, well brother… you’re just shit out of luck. But I say again – If it isn’t personally relevant, then why bother?

This really hit home with me when it was strongly suggested that I should start using a contact management system. I was happy with my calendar and proud of my simple spreadsheet list of names. Well not really. I understood that my system was flawed, but when I started trying to use contact management software I balked. It didn’t make sense to me even though I understood the concept. Then, after I had downloaded the same software for the second time I did something with it that just clicked in my brain and it was like the whole application suddenly snapped into focus. I got it and the software made sense.

The point to all of this is that we do not need to use every new thing that other people scream about. If you understand the social aspect of Twitter and how it can connect you to fans, but just don’t see how you can apply it to your artistic world, then don’t. Everyone screams: Make a video and put it onYouTube. You say – Yeah, I see other musician’s videos, but making a video just doesn’t click with me right now – then don’t do it. You gotta start using a capo. Yeah I see lots of people using them, but I don’t see where it fits in to my playing – then don’t use it.

But, you should walk this path with your eyes and ears wide open. If enough (normal)people are screaming loudly about something, you should at least turn around to see if it’s someone waiting to hug you or an axe murderer. At least take a look at the New Widget On The Block to see if it fits with your world. I would also suggest that if the screaming persists you should revisit the concept to see if that new something has changed or perhaps see if you’ve changed and now that thing that you thought was irrelevant is now the most amazing tool in your kit.

Have you had something laying around for a long time that just recently made sense and became a part of your tool kit? What new thing are you ignoring that you think may become relevant later? Leave a comment!